Original 1949 pressing Personnel: Idrees Sulieman, trumpet (side A only) Danny Quebec West, alto saxophone (side A only) Billy Smith, tenor saxophone (side A only) Milt Jackson, vibraphone (side B only) Thelonious Monk, piano Gene Ramey, bass (side A only) John Simmons, bass (side B only) Art Blakey, drums (side A only) Shadow … More→
Since Rudy Van Gelder’s passing in 2016, Van Gelder Studio owner Maureen Sickler has been working toward a reopening of the studio, and that time has now come. On Saturday, November 14 at 9:00 P.M. Eastern Time (alternate times for Asia and Europe), Van Gelder Studio will host a virtual tribute concert for legendary composer and saxophonist Hank Mobley. More→
It is with great pleasure that I announce the launch of RVG Legacy, a new website dedicated to preserving the legacy of Rudy Van Gelder. Since the pandemic has taken away all opportunities for me to give my presentation on Rudy in person, I decided to build a website that would essentially deliver all the content of my talk virtually. In the spring I wrote the narrative, then over the summer I put everything together and developed the site. More→
While I have never felt apologetic about my sincere adoration for music, sometimes I do struggle with feelings of guilt related to how important collecting is to me. I spend a lot of time thinking about and partaking in this hobby, and my propensity toward anxiety and obsession has made my active participation … More→
Original 1930 pressing Personnel: Fats Waller, piano Recorded September 11 and September 24, 1929 in New York City Selection: “My Feelin’s Are Hurt” (Waller) While I still haven’t delved all too deeply into ‘pre-bop’ jazz, I managed to find another great 78 from that era. For a stretch in 2019 I was accustomed … More→
Original 1927 pressing Personnel: Louis Armstrong, cornet Johnny Dodds, clarinet John Thomas, trombone Lil Hardin Armstrong, piano Johnny St. Cyr, guitar Pete Briggs, tuba Baby Dodds, drums Recorded May 7 and May 10, 1927 at Okeh Studios, Chicago Selections: “Willie the Weeper” (Melrose-Bloom) “Alligator Crawl” (Waller) So far, Deep Groove Mono’s coverage of … More→
Although for many years I knew nothing of Japanese jazz, our hobby has helped me become aware that the Japanese by and large have a deep, heartfelt appreciation of jazz music. Before I bought this album though, all I knew about Japanese jazz musicians was what a disgruntled New York City record store clerk told me once, that they didn’t know how to ‘swing’… More→
Wrapping up the second season of Instagram interviews with our fourth and final episode, we turn to a West Coast collector with an early presence in the online jazz community. As a result, I have long had a ton of respect for @gstvinyl or just “GST”, a humble collector with a deep collection … More→
For regular readers of this blog, recording engineer Rudy Van Gelder needs no introduction. In fact, aside from the musicians themselves, he is probably more known by jazz record collectors than any other figure in the music’s history. For collectors then, any question of Van Gelder’s importance will surely seem puzzling if not … More→
My relationship with the full-length album that contains this EP, Brown & Roach Incorporated, began very early on in my collecting years. I would have initially ripped the album from a CD checked out from the library and now I own that CD, which is the ‘official’ PolyGram… More→