I ignored this album for quite some time for a couple reasons. First, it was primarily comprised of standards and short on originals, but also because the album has rarely been reissued in mono and I kept reading about issues with the consistency of Rollins’ volume level in the stereo mix (apparently caused by the leader’s motion in the studio… More→
My first interaction with Curtis Fuller Volume 3 came when I bought a Japanese reissue at a local record store on a whim. The lineup looked good and I knew it was fairly rare in any format so I decided to take a chance. After an initial round of unfocused listens, I prematurely dismissed the album and sold it locally. Then about a year… More→
About a year ago, when I first sat down to work on my Rudy Van Gelder presentation, I compiled a (necessarily large) playlist on Spotify of albums he recorded that I hadn’t heard. Among those were maybe around a dozen recordings done between 1953 and 1955. Unlike other Van Gelder dates from around this time that are drenched in spring reverb, these… More→
I am excited to announce that I will be giving a presentation on legendary jazz recording engineer Rudy Van Gelder at this year’s Audio Engineering Society Convention at the Javits Center in New York City. The talk is titled “Rudy Van Gelder: A Legacy in Audio Engineering”, and it will … More→
Deep Groove Mono is excited to announce the official launch of our YouTube channel. The channel currently features over 75 “video needledrops” of vintage jazz pressings and that number is growing. Some of the videos simulate a record spinning on a turntable, others flip through quality photographs of the jacket … More→
I am excited to announce the grand opening of the Deep Groove Mono online shop! In an effort to help finance the annual domain and hosting fees for the site, I decided to make t-shirts with the Deep Groove Mono logo on them. I also figured, if I were a … More→
When I first began collecting vintage jazz records, I quickly noticed that Sonny Clark’s Cool Struttin’ is a very in-demand album and considered by many to be a classic. Additionally, I noticed that original pressings fetched in the upwards of two thousand dollars. At some point I became aware that this third/fourth Liberty pressing with original mono Rudy Van Gelder mastering existed, but it still… More→
I don’t exactly remember what piqued my interest in this LP. I think it started when I came across a copy of Gil Melle Quintet, Volume 2. Tal Farlow is on that LP. I also think I was just getting into ten-inch LPs and Rudy Van Gelder’s earliest Hackensack recordings. This album is rare in any format. There’s only one track buried in an obscure Farlow compilation on Spotify and only two… More→
First off, sorry about the flip-flopping regarding the shutting down and reopening of Deep Groove Mono. Last year was an interesting year as a collector. In short, I tried to make some “power moves” in purchasing some expensive records and equipment. Months later, it just didn’t feel right. I felt like I was spending beyond my means, and… More→
With summer drawing to a close, so does this initial run of Deep Groove Mono’s Jazz Collectors of Instagram. It seems fitting to conclude the series with an established veteran, Clifford Allen a.k.a. @tallswami. I originally came to know of Clifford through his comments and contributions to JazzCollector.com. From there, … More→