
How a Blue Note Remastering Session Works: DGM Visits Cohearent Audio
Back in 2012, when I first caught the jazz record collecting bug, I quickly took a strong interest in recording engineer Rudy Van Gelder, who recorded for numerous classic jazz labels including Blue Note Records. I had a background as an amateur audio engineer so I was also interested in his methods. On one occasion, I reached out to mastering engineer Kevin Gray, who had been working with Rudy’s original master tapes for several years in conjunction with various jazz reissue labels including Music Matters. … More→