Before stereo sounded the death knell of the mono format in the late 1960s, mono records were made with the intention of being played with a conical stylus measuring one thousandth of an inch, also known as 1 “mil”, at its longest radius. On the other hand, stereo records have always been made … More→
When I lived in Albany, New York, the East Greenbush library had a killer selection of classic jazz CDs, and the 1989 Original Jazz Classics reissue of this album was one of them. Flipping through the racks, this album piqued my interest because of its super-hip cover and the name “John Coltrane”. I became more familiar with this album over the years and acquired the Original Jazz Classics LP a few years… More→
A while ago I happened upon the YouTube channel of “KoolKatJazz”, a collector who takes pride in finding cheap original pressings of vintage jazz records that, while perhaps grade VG or lower, sound great at times nonetheless. Being a collector on a pretty strict budget made me think that this might be a collecting strategy I might want to… More→
There’s something about the Internet that has a tendency to bring out the worst in people, namely prejudice, close-mindedness, and personal attacks in instances where a simple, respectful debate would do. In light of this and several disheartening exchanges I’ve had with other collectors of late, Deep Groove Mono has decided to remove … More→
This is the fourth original mono pressing of this album I’ve owned. Why would I be so persistent for this album? While the title track is one of my all-time favorite soul jazz numbers, the truth is I’m not a huge fan of this album in its entirety, and I’ve largely pursued an original so diligently because I love the album cover so much. Lou… More→
At the tender age of twenty, my introduction to jazz came by way of a cassette tape that the guitarist in my band let me borrow. Side one was Kind of Blue and side two was My Favorite Things. At that time, the tape was little more than something I put on when I wanted to relax, but both albums have stuck with me and… More→
I’m sure you guys get tired of me saying “this is one of my favorite albums” but I’m saying it again, deal with it! Song for song, start to finish, this is a brilliantly executed body of work, and session pianist Duke Pearson deserves the lion’s share of the credit. As composer of five of the album’s six tracks, Little Johnny C demonstrates… More→
As big of a Thelonious Monk fan as I am, I don’t collect original pressings of Monk LPs. There are several reasons for this: 1. Some of Monk’s most inspired recordings were for Blue Note in the late ’40s and early ’50s. As a result, they are not high-fidelity and I don’t find myself seeking out older recordings like this on vinyl. 2. Though Monk’s… More→
For those of you who have read my first essay on this site about how I got into vintage jazz record collecting, you may recall that the first Blue Note original I ever owned was a copy of this album. That copy was not in great shape and has since been replaced with the copy being presented here (the first copy I found has sentimental value and… More→
It’s been a while since I first discovered this album but I’m pretty sure I first heard it on Spotify back when they had that cool Blue Note app that allowed you to sift through the albums like actual records. This album mesmerized me instantly; the thunderous chorus of horns that introduces the album alerts the listener to the arrival of jazz royalty. More→