So far on Deep Groove Mono, we’ve covered original pressings, Liberty pressings and early ’70s United Artists pressings of classic albums released by the beloved Blue Note label. This ’70s copy of Hank Mobley’s No Room for Squares with the all-blue label and the white (sometimes black) lowercase “b” logo is more or less… More→
Generally speaking, I don’t know the Impulse catalog very well, and accordingly I have a harder time keeping track of the ‘first-first pressing’ melee associated with the label. Thus I’m not really sure if this is a ‘first-first pressing’ or just a ‘first pressing’, but it has the Van Gelder stamp of approval and, more importantly, it plays… More→
A rare record in any format, this is the genuine article right here: Van Gelder stamp, Plastylite “P”, mono. After its original release in 1964, The Way I Feel was never reissued on LP or CD in the United States, and it has only been reissued twice in Japan on CD. The reason for the scarce number of reissues could be related to the fact… More→
I found this record several years back at the first WFMU record fair I ever attended in New York City. It’s not an “original original” pressing in the sense that it lacks the “NYC” address on the labels, but it’s still made from original Van Gelder mastering. On the ballad “My Funny Valentine” especially, you should be able to hear that this is a very… More→
Although Liberty pressings of most classic Blue Note albums are not original pressings, they still have the potential to sound great. They may lack the Plastylite “P” found in the runout groove of most originals but they do usually brandish the Van Gelder stamp in the runout groove, indicating that they were made from the same master lacquer… More→
After a couple years of collecting on a budget, the reality of the situation starts to sink in: you won’t be acquiring a first pressing of a holy grail like Kenny Dorham’s Quiet Kenny any time soon. What makes an album a holy grail? Simply put, a combination of being very rare and very in demand. More specifically, in the case of this… More→
Technically the third copy of this I’ve owned, my first copy was acquired on eBay, overpriced, and in rough shape. The second wasn’t much better, but this copy, acquired at the WFMU Record Fair in New York City a few years ago for a very reasonable price, is in fantastic condition, as you will hear! Original pressing all around — I don’t… More→
Prestige released numerous LPs in the late ’50s, many of which stand today as interesting mixes of rarity, low demand, and musical excellence. This album is one example of that. I first heard it on Spotify and instantly took to it, but the master tape had noticeably degraded by the time of its digital mastering. So it became a priority of mine… More→
This LP didn’t pique my interest until I saw an original pressing on the wall at an esteemed Manhattan record shop last fall. Though I was unfamiliar with the music, I knew of the record’s ‘holy grail’ status, and needless to say I was intrigued. At this point in my time collecting I felt confident handling such an expensive piece, and when I removed… More→
Behold! Deep Groove Mono offers up its first ever head-to-head comparison. Here we take a listen to vintage mono and stereo pressings of the classic John Coltrane album Giant Steps. I had the mono LP first, but I liked the original stereo CD so much that when I saw this stereo LP for a great price I couldn’t pass it up. More→