It’s rare that I hang on to a record in VG condition, but this record has a couple things working for it: 1. Despite the pops and ticks, it has no groove wear, 2. I got it for (the vintage jazz record collecting equivalent of) a dollar bin price, and 3. The music and performances are both spectacular. Like my copies of Saxophone Colossus… More→
Well it pays to give the jazz sections in record stores a quick flip on each visit. Though usually less than mediocre, I’ve found that jazz LPs often skip the new arrivals bins — a longstanding staple of record stores — and go straight to the genre section. My method is usually to flip quickly through each of my favorite players’ sections and the… More→
It appears that along with a recent change in my philosophy of collecting has also come a change in my luck. I recently decided to go all in on creating the most authentic vintage mono jazz LP listening experience I could. This meant a new turntable (a gorgeous Garrard 301 which I have already secured), a separate component tonearm… More→
As with many of these compilations of earlier Blue Note material, there are several different configurations of musicians on each track of this album. But, unlike many of those compilations of 10” and 78 RPM material, this collection of sides contains some of the finest musicians in early bebop. Led by arguably the greatest trombonist… More→
Continuing with the theme of mono Liberty Blue Notes, this is one of my favorite records by the prolific guitarist Kenny Burrell. In reading about this LP, I find that most of the discussion related to the album deals with its cover art. It is, of course, one of the three titles that the artist Andy Warhol drew for Blue Note. While the cover art is… More→
As a jazz lover and record collector, I am very fortunate to live near New York and its dusty record stores, as well as fellow collectors like the namesake of this blog, Mr. Mono himself. If we can’t hunt for LPs together in person, he will sometimes send me pictures of any records I might be interested in from the stores in the city — and… More→
When it rains, it pours. Just a day after I found my first blue label, RVG-stamped mono Prestige reissue, I found this. While visiting a friend upstate I made a stop at a favorite record shop for a very quick flip-through, not expecting to find anything as per usual, and there was this copy of Soultrane. Again it looked… More→
When I lived in Albany, New York, the East Greenbush library had a killer selection of classic jazz CDs, and the 1989 Original Jazz Classics reissue of this album was one of them. Flipping through the racks, this album piqued my interest because of its super-hip cover and the name “John Coltrane”. I became more familiar with this album over the years and acquired the Original Jazz Classics LP a few years… More→
A while ago I happened upon the YouTube channel of “KoolKatJazz”, a collector who takes pride in finding cheap original pressings of vintage jazz records that, while perhaps grade VG or lower, sound great at times nonetheless. Being a collector on a pretty strict budget made me think that this might be a collecting strategy I might want to… More→
As big of a Thelonious Monk fan as I am, I don’t collect original pressings of Monk LPs. There are several reasons for this: 1. Some of Monk’s most inspired recordings were for Blue Note in the late ’40s and early ’50s. As a result, they are not high-fidelity and I don’t find myself seeking out older recordings like this on vinyl. 2. Though Monk’s… More→