There’s something about the Internet that has a tendency to bring out the worst in people, namely prejudice, close-mindedness, and personal attacks in instances where a simple, respectful debate would do. In light of this and several disheartening exchanges I’ve had with other collectors of late, Deep Groove Mono has decided to remove … More→
This is the fourth original mono pressing of this album I’ve owned. Why would I be so persistent for this album? While the title track is one of my all-time favorite soul jazz numbers, the truth is I’m not a huge fan of this album in its entirety, and I’ve largely pursued an original so diligently because I love the album cover so much. Lou… More→
At the tender age of twenty, my introduction to jazz came by way of a cassette tape that the guitarist in my band let me borrow. Side one was Kind of Blue and side two was My Favorite Things. At that time, the tape was little more than something I put on when I wanted to relax, but both albums have stuck with me and… More→
I’m sure you guys get tired of me saying “this is one of my favorite albums” but I’m saying it again, deal with it! Song for song, start to finish, this is a brilliantly executed body of work, and session pianist Duke Pearson deserves the lion’s share of the credit. As composer of five of the album’s six tracks, Little Johnny C demonstrates… More→
As big of a Thelonious Monk fan as I am, I don’t collect original pressings of Monk LPs. There are several reasons for this: 1. Some of Monk’s most inspired recordings were for Blue Note in the late ’40s and early ’50s. As a result, they are not high-fidelity and I don’t find myself seeking out older recordings like this on vinyl. 2. Though Monk’s… More→
For those of you who have read my first essay on this site about how I got into vintage jazz record collecting, you may recall that the first Blue Note original I ever owned was a copy of this album. That copy was not in great shape and has since been replaced with the copy being presented here (the first copy I found has sentimental value and… More→
It’s been a while since I first discovered this album but I’m pretty sure I first heard it on Spotify back when they had that cool Blue Note app that allowed you to sift through the albums like actual records. This album mesmerized me instantly; the thunderous chorus of horns that introduces the album alerts the listener to the arrival of jazz royalty. More→
My discovery of this album came as a pleasant surprise. A record-dealing friend had recently pulled a mammoth score including a dozen or so cardboard boxes packed with jazz reissues. Sifting through the boxes, the bold lime green of this cover caught my eye as most modern, mid-century cover designs do. I knew nothing about Steve… More→
It makes sense that Song for My Father is part of many people’s introduction to the jazz genre. It is not only an essential part of the classic jazz canon, it is also a very accessible album. The minimalist structure of “Calcutta Cutie” and “Que Pasa” should cause just about anyone’s ears to perk up and listen. The album has… More→
First and foremost, I think this is one of the greatest album covers of all time. I love the juxtaposition of the bold strips of various hues of red with the cartoony black-and-white illustration of fire beneath. Reid Miles’ cover design speaks volumes and yet again complements the music incredibly well. More→