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REC. DATE | REC. LOCATION | SONG TITLE | COMPOSER | LABEL | CAT. NO. | LP TITLE | REL. YEAR | TRACK NO. |
---|---|---|---|---|---|---|---|---|
10/15/47 | WOR NYC | Thelonious | Monk | Blue Note | BLP 1510 | Genius of Modern Music, Vol. 1 | 1956 | B1 |
10/15/47 | WOR NYC | Suburban Eyes | Quebec | Blue Note | BLP 1511 | Genius of Modern Music, Vol. 2 | 1956 | A5 |
10/15/47 | WOR NYC | Evonce | Quebec-Sulieman | Blue Note | BLP 1511 | Genius of Modern Music, Vol. 2 | 1956 | A6 |
10/15/47 | WOR NYC | Humph | Monk | Blue Note | BLP 1510 | Genius of Modern Music, Vol. 1 | 1956 | B6 |
10/24/47 | WOR NYC | Well, You Needn't | Monk | Blue Note | BLP 1510 | Genius of Modern Music, Vol. 1 | 1956 | B4 |
10/24/47 | WOR NYC | Off Minor | Monk | Blue Note | BLP 1510 | Genius of Modern Music, Vol. 1 | 1956 | A2 |
10/24/47 | WOR NYC | Ruby, My Dear | Monk | Blue Note | BLP 1510 | Genius of Modern Music, Vol. 1 | 1956 | A3 |
10/24/47 | WOR NYC | Nice Work If You Can Get It | Gershwin-Gershwin | Blue Note | BLP 1511 | Genius of Modern Music, Vol. 2 | 1956 | B3 |
10/24/47 | WOR NYC | April in Paris | Duke-Harburg | Blue Note | BLP 1510 | Genius of Modern Music, Vol. 1 | 1956 | A5 |
10/24/47 | WOR NYC | Introspection | Monk | Blue Note | BLP 1510 | Genius of Modern Music, Vol. 1 | 1956 | B5 |
11/21/47 | WOR NYC | 'Round Midnight | Monk | Blue Note | BLP 1510 | Genius of Modern Music, Vol. 1 | 1956 | A1 |
11/21/47 | WOR NYC | In Walked Bud | Monk-Hendricks | Blue Note | BLP 1510 | Genius of Modern Music, Vol. 1 | 1956 | A6 |
11/21/47 | WOR NYC | Who Knows | Monk | Blue Note | BLP 1511 | Genius of Modern Music, Vol. 2 | 1956 | B5 |
11/21/47 | WOR NYC | Monk's Mood | Monk | Blue Note | BLP 1511 | Genius of Modern Music, Vol. 2 | 1956 | B4 |
7/2/48 | Apex NYC | Epistrophy | Monk-Clarke | Blue Note | BLP 1510 | Genius of Modern Music, Vol. 1 | 1956 | B2 |
7/2/48 | Apex NYC | Evidence | Monk | Blue Note | BLP 1509 | Milt Jackson and the Thelonious Monk Quintet | 1956 | B4 |
7/2/48 | Apex NYC | Misterioso | Monk | Blue Note | BLP 1510 | Genius of Modern Music, Vol. 1 | 1956 | B3 |
7/2/48 | Apex NYC | I Mean You | Monk | Blue Note | BLP 1510 | Genius of Modern Music, Vol. 1 | 1956 | A4 |
7/23/51 | WOR NYC | Four in One | Monk | Blue Note | BLP 1511 | Genius of Modern Music, Vol. 2 | 1956 | B2 |
7/23/51 | WOR NYC | Straight, No Chaser | Monk | Blue Note | BLP 1511 | Genius of Modern Music, Vol. 2 | 1956 | B1 |
7/23/51 | WOR NYC | Criss Cross | Monk | Blue Note | BLP 1509 | Milt Jackson and the Thelonious Monk Quintet | 1956 | B1 |
7/23/51 | WOR NYC | Eronel | Monk | Blue Note | BLP 1509 | Milt Jackson and the Thelonious Monk Quintet | 1956 | B2 |
7/23/51 | WOR NYC | Ask Me Now | Monk | Blue Note | BLP 1511 | Genius of Modern Music, Vol. 2 | 1956 | B6 |
7/23/51 | WOR NYC | Willow Weep for Me | Ronell | Blue Note | BLP 1509 | Milt Jackson and the Thelonious Monk Quintet | 1956 | A6 |
5/30/52 | WOR NYC | Skippy | Monk | Blue Note | BLP 1511 | Genius of Modern Music, Vol. 2 | 1956 | A3 |
5/30/52 | WOR NYC | Let's Cool One | Monk | Blue Note | BLP 1511 | Genius of Modern Music, Vol. 2 | 1956 | A4 |
5/30/52 | WOR NYC | Hornin' In | Monk | Blue Note | BLP 1511 | Genius of Modern Music, Vol. 2 | 1956 | A2 |
5/30/52 | WOR NYC | Carolina Moon | Burke-Davis | Blue Note | BLP 1511 | Genius of Modern Music, Vol. 2 | 1956 | A1 |
10/15/52 | WOR NYC | Sweet and Lovely | Arnheim-LeMare-Tobias | Prestige | PRLP 7027 | Thelonious Monk Trio | 1956 | B1 |
10/15/52 | WOR NYC | Bye-Ya | Monk | Prestige | PRLP 7027 | Thelonious Monk Trio | 1956 | B2 |
10/15/52 | WOR NYC | Little Rootie Tootie | Monk | Prestige | PRLP 7027 | Thelonious Monk Trio | 1956 | A5 |
10/15/52 | WOR NYC | Monk's Dream | Monk | Prestige | PRLP 7027 | Thelonious Monk Trio | 1956 | B3 |
12/18/52 | WOR NYC | Trinkle, Tinkle | Monk | Prestige | PRLP 7027 | Thelonious Monk Trio | 1956 | B4 |
12/18/52 | WOR NYC | These Foolish Things | Link-Marvell-Strachey | Prestige | PRLP 7027 | Thelonious Monk Trio | 1956 | B5 |
12/18/52 | WOR NYC | Bemsha Swing | Monk-Best | Prestige | PRLP 7027 | Thelonious Monk Trio | 1956 | A3 |
12/18/52 | WOR NYC | Reflections | Monk | Prestige | PRLP 7027 | Thelonious Monk Trio | 1956 | A4 |
11/13/53 | WOR NYC | Let's Call This | Monk | Prestige | PRLP 7053 | Monk | 1956 | A1 |
11/13/53 | WOR NYC | Think of One (Take 2) | Monk | Prestige | PRLP 7053 | Monk | 1956 | A2 |
11/13/53 | WOR NYC | Friday the 13th | Monk | Prestige | PRLP 7075 | Thelonious Monk and Sonny Rollins | 1957 | B2 |
11/13/53 | WOR NYC | Think of One (Take 1) | Monk | Prestige | PRLP 7053 | Monk | 1956 | A3 |
5/11/54 | Hackensack, NJ | We See | Monk | Prestige | PRLP 7053 | Monk | 1956 | B1 |
5/11/54 | Hackensack, NJ | Smoke Gets In Your Eyes | Kern-Harbach | Prestige | PRLP 7053 | Monk | 1956 | B2 |
5/11/54 | Hackensack, NJ | Locomotive | Monk | Prestige | PRLP 7053 | Monk | 1956 | B3 |
5/11/54 | Hackensack, NJ | Hackensack | Monk | Prestige | PRLP 7053 | Monk | 1956 | B4 |
9/22/54 | Hackensack, NJ | Work | Monk | Prestige | PRLP 7075 | Thelonious Monk and Sonny Rollins | 1957 | A3 |
9/22/54 | Hackensack, NJ | Nutty | Monk | Prestige | PRLP 7075 | Thelonious Monk and Sonny Rollins | 1957 | B1 |
9/22/54 | Hackensack, NJ | Blue Monk | Monk | Prestige | PRLP 7027 | Thelonious Monk Trio | 1956 | A1 |
9/22/54 | Hackensack, NJ | Just a Gigolo | Brammer-Caesar-Casucci | Prestige | PRLP 7027 | Thelonious Monk Trio | 1956 | A2 |
10/25/54 | Hackensack, NJ | I Want to Be Happy | Caesar-Youmans | Prestige | PRLP 7075 | Thelonious Monk and Sonny Rollins | 1957 | A2 |
10/25/54 | Hackensack, NJ | The Way You Look Tonight | Kern-Fields | Prestige | PRLP 7075 | Thelonious Monk and Sonny Rollins | 1957 | A1 |
10/25/54 | Hackensack, NJ | More Than You Know | Youmans-Eliscu-Rose | Prestige | PRLP 7058 | Moving Out (Sonny Rollins) | 1956 | B2 |
12/24/54 | Hackensack, NJ | Bags' Groove (Take 1) | Jackson | Prestige | PRLP 7109 | Bags' Groove (Miles Davis) | 1957 | A1 |
12/24/54 | Hackensack, NJ | Swing Spring | Davis | Prestige | PRLP 7150 | Miles Davis and the Modern Jazz Giants | 1959 | A2 |
12/24/54 | Hackensack, NJ | Bemsha Swing | Monk-Best | Prestige | PRLP 7150 | Miles Davis and the Modern Jazz Giants | 1959 | B2 |
12/24/54 | Hackensack, NJ | The Man I Love (Take 1) | Gershwin-Gershwin | Prestige | PRLP 7150 | Miles Davis and the Modern Jazz Giants | 1959 | B3 |
12/24/54 | Hackensack, NJ | Bags' Groove (Take 2) | Jackson | Prestige | PRLP 7109 | Bags' Groove (Miles Davis) | 1957 | A2 |
12/24/54 | Hackensack, NJ | The Man I Love (Take 2) | Gershwin-Gershwin | Prestige | PRLP 7150 | Miles Davis and the Modern Jazz Giants | 1959 | A1 |
7/21/55 & 7/27/55 | Hackensack, NJ | It Don't Mean a Thing If It Ain't Got That Swing | Ellington-Mills | Riverside | RLP 12-201 | Thelonious Monk Plays the Music of Duke Ellington | 1956 | A1 |
7/21/55 & 7/27/55 | Hackensack, NJ | Sophisticated Lady | Ellington | Riverside | RLP 12-201 | Thelonious Monk Plays the Music of Duke Ellington | 1956 | A2 |
7/21/55 & 7/27/55 | Hackensack, NJ | I Got It Bad and That Ain't Good | Ellington-Webster | Riverside | RLP 12-201 | Thelonious Monk Plays the Music of Duke Ellington | 1956 | A3 |
7/21/55 & 7/27/55 | Hackensack, NJ | Black and Tan Fantasy | Ellington-Miley | Riverside | RLP 12-201 | Thelonious Monk Plays the Music of Duke Ellington | 1956 | A4 |
7/21/55 & 7/27/55 | Hackensack, NJ | Mood Indigo | Elington-Bigard-Mills | Riverside | RLP 12-201 | Thelonious Monk Plays the Music of Duke Ellington | 1956 | B1 |
7/21/55 & 7/27/55 | Hackensack, NJ | I Let a Song Go out of My Heart | Ellington-Nemo-Mills-Redmond | Riverside | RLP 12-201 | Thelonious Monk Plays the Music of Duke Ellington | 1956 | B2 |
7/21/55 & 7/27/55 | Hackensack, NJ | Solitude | Ellington-Lange-Mills | Riverside | RLP 12-201 | Thelonious Monk Plays the Music of Duke Ellington | 1956 | B3 |
7/21/55 & 7/27/55 | Hackensack, NJ | Caravan | Ellington-Mills-Tizol | Riverside | RLP 12-201 | Thelonious Monk Plays the Music of Duke Ellington | 1956 | B4 |
10/15/55 | Hackensack, NJ | Shuffle Boil | Monk | Signal | S 1201 | Gigi Gryce Orchestra and Quartet | 1956 | B1 |
10/15/55 | Hackensack, NJ | Brake's Sake | Monk | Signal | S 1201 | Gigi Gryce Orchestra and Quartet | 1956 | B2 |
10/15/55 | Hackensack, NJ | Gallop's Gallop | Monk | Signal | S 1201 | Gigi Gryce Orchestra and Quartet | 1956 | B3 |
10/15/55 | Hackensack, NJ | Nica's Tempo | Gryce | Signal | S 1201 | Gigi Gryce Orchestra and Quartet | 1956 | B4 |
3/17/56 | Hackensack, NJ | Liza | Gershwin-Gershwin | Riverside | RLP 12-209 | The Unique Thelonious Monk | 1956 | A1 |
3/17/56 | Hackensack, NJ | Memories of You | Blake-Razaf | Riverside | RLP 12-209 | The Unique Thelonious Monk | 1956 | A2 |
3/17/56 | Hackensack, NJ | You Are Too Beautiful | Rodgers-Hart | Riverside | RLP 12-209 | The Unique Thelonious Monk | 1956 | B2 |
3/17/56 | Hackensack, NJ | Just You, Just Me | Greer-Klages | Riverside | RLP 12-209 | The Unique Thelonious Monk | 1956 | B3 |
4/3/56 | Hackensack, NJ | Honeysuckle Rose | Waller-Razaf | Riverside | RLP 12-209 | The Unique Thelonious Monk | 1956 | A3 |
4/3/56 | Hackensack, NJ | Darn That Dream | Van Heusen-DeLange | Riverside | RLP 12-209 | The Unique Thelonious Monk | 1956 | A4 |
4/3/56 | Hackensack, NJ | Tea for Two | Youmans-Caesar | Riverside | RLP 12-209 | The Unique Thelonious Monk | 1956 | B1 |
10/9/56 | Reeves NYC | Ba-lue Bolivar Ba-lues-are | Monk | Riverside | RLP 12-226 | Brilliant Corners | 1957 | A2 |
10/9/56 | Reeves NYC | Pannonica | Monk | Riverside | RLP 12-226 | Brilliant Corners | 1957 | B1 |
10/15/56 | Reeves NYC | Brilliant Corners | Monk | Riverside | RLP 12-226 | Brilliant Corners | 1957 | A1 |
10/15/56 | Reeves NYC | I Surrender, Dear | Clifford-Barris | Riverside | RLP 12-226 | Brilliant Corners | 1957 | B2 |
12/7/56 | Reeves NYC | Bemsha Swing | Monk-Best | Riverside | RLP 12-226 | Brilliant Corners | 1957 | B3 |
4/12/57 | Reeves NYC | Functional (Alternate Take) | Monk | Jazzland | JLP 46 | Thelonious Monk with John Coltrane | 1961 | B3 |
4/12/57 | Reeves NYC | April in Paris | Duke-Harburg | Riverside | RLP 12-235 | Thelonious Himself | 1957 | A1 |
4/12/57 | Reeves NYC | Ghost of a Chance | Crosby-Washington-Young | Riverside | RLP 12-235 | Thelonious Himself | 1957 | A2 |
4/12/57 | Reeves NYC | Functional | Monk | Riverside | RLP 12-235 | Thelonious Himself | 1957 | A3 |
4/12/57 | Reeves NYC | I'm Getting Sentimental Over You | Washington-Bassman | Riverside | RLP 12-235 | Thelonious Himself | 1957 | A4 |
4/12/57 | Reeves NYC | I Should Care | Cahn-Stordahl-Weston | Riverside | RLP 12-235 | Thelonious Himself | 1957 | B1 |
4/12/57 | Reeves NYC | 'Round Midnight | Monk | Riverside | RLP 12-235 | Thelonious Himself | 1957 | B2 |
4/12/57 | Reeves NYC | All Alone | Berlin | Riverside | RLP 12-235 | Thelonious Himself | 1957 | B3 |
4/14/57 | Hackensack, NJ | Misterioso | Monk | Blue Note | BLP 1558 | Sonny Rollins, Vol. 2 | 1957 | A3 |
4/14/57 | Hackensack, NJ | Reflections | Monk | Blue Note | BLP 1558 | Sonny Rollins, Vol. 2 | 1957 | B1 |
4/16/57 | Reeves NYC | Monk's Mood | Monk | Riverside | RLP 12-235 | Thelonious Himself | 1957 | B4 |
5/14/57 | NYC | Blue Monk | Monk | Atlantic | 1278 | Art Blakey & The Jazz Messengers with Thelonious Monk | 1958 | A3 |
5/14/57 | NYC | I Mean You | Monk | Atlantic | 1278 | Art Blakey & The Jazz Messengers with Thelonious Monk | 1958 | B1 |
5/15/57 | NYC | Evidence | Monk | Atlantic | 1278 | Art Blakey & The Jazz Messengers with Thelonious Monk | 1958 | A1 |
5/15/57 | NYC | In Walked Bud | Monk-Hendricks | Atlantic | 1278 | Art Blakey & The Jazz Messengers with Thelonious Monk | 1958 | A2 |
5/15/57 | NYC | Rhythm-a-ning | Monk | Atlantic | 1278 | Art Blakey & The Jazz Messengers with Thelonious Monk | 1958 | B2 |
5/15/57 | NYC | Purple Shades | Griffin | Atlantic | 1278 | Art Blakey & The Jazz Messengers with Thelonious Monk | 1958 | B3 |
6/26/57 | Reeves NYC | Off Minor (Alternate Take) | Monk | Jazzland | JLP 46 | Thelonious Monk with John Coltrane | 1961 | A3 |
6/26/57 | Reeves NYC | Epistrophy (Alternate Take) | Monk-Clarke | Jazzland | JLP 46 | Thelonious Monk with John Coltrane | 1961 | B2 |
6/26/57 | Reeves NYC | Abide with Me | Monk | Riverside | RLP 12-242 | Monk's Music | 1957 | A1 |
6/26/57 | Reeves NYC | Well, You Needn't | Monk | Riverside | RLP 12-242 | Monk's Music | 1957 | A2 |
6/26/57 | Reeves NYC | Ruby, My Dear | Monk | Riverside | RLP 12-242 | Monk's Music | 1957 | A3 |
6/26/57 | Reeves NYC | Off Minor | Monk | Riverside | RLP 12-242 | Monk's Music | 1957 | B1 |
6/26/57 | Reeves NYC | Epistrophy | Monk-Clarke | Riverside | RLP 12-242 | Monk's Music | 1957 | B2 |
6/26/57 | Reeves NYC | Crepuscule with Nellie | Monk | Riverside | RLP 12-242 | Monk's Music | 1957 | B3 |
7/57 | Reeves NYC | Ruby, My Dear | Monk | Jazzland | JLP 46 | Thelonious Monk with John Coltrane | 1961 | A1 |
7/57 | Reeves NYC | Trinkle, Tinkle | Monk | Jazzland | JLP 46 | Thelonious Monk with John Coltrane | 1961 | A2 |
7/57 | Reeves NYC | Nutty | Monk | Jazzland | JLP 46 | Thelonious Monk with John Coltrane | 1961 | B1 |
8/12/57 | Reeves NYC | Rhythm-a-ning | Monk | Riverside | RLP 12-247 | Mulligan Meets Monk (Gerry Mulligan and Thelonious Monk) | 1957 | A2 |
8/12/57 | Reeves NYC | Straight, No Chaser | Monk | Riverside | RLP 12-247 | Mulligan Meets Monk (Gerry Mulligan and Thelonious Monk) | 1957 | B2 |
8/12/57 | Reeves NYC | I Mean You | Monk | Riverside | RLP 12-247 | Mulligan Meets Monk (Gerry Mulligan and Thelonious Monk) | 1957 | B3 |
8/13/57 | Reeves NYC | 'Round Midnight | Monk | Riverside | RLP 12-247 | Mulligan Meets Monk (Gerry Mulligan and Thelonious Monk) | 1957 | A1 |
8/13/57 | Reeves NYC | Sweet and Lovely | Arnheim-LeMare-Tobias | Riverside | RLP 12-247 | Mulligan Meets Monk (Gerry Mulligan and Thelonious Monk) | 1957 | A3 |
8/13/57 | Reeves NYC | Decidedly | Mulligan | Riverside | RLP 12-247 | Mulligan Meets Monk (Gerry Mulligan and Thelonious Monk) | 1957 | B1 |
5/7/58 & 5/12/58 | NYC | In Orbit | Terry | Riverside | RLP 12-271 | In Orbit (Clark Terry with Thelonious Monk) | 1958 | A1 |
5/7/58 & 5/12/58 | NYC | One Foot in the Gutter | Terry | Riverside | RLP 12-271 | In Orbit (Clark Terry with Thelonious Monk) | 1958 | A2 |
5/7/58 & 5/12/58 | NYC | Trust in Me | Traditional | Riverside | RLP 12-271 | In Orbit (Clark Terry with Thelonious Monk) | 1958 | A3 |
5/7/58 & 5/12/58 | NYC | Let's Cool One | Monk | Riverside | RLP 12-271 | In Orbit (Clark Terry with Thelonious Monk) | 1958 | A4 |
5/7/58 & 5/12/58 | NYC | Pea-Eye | Terry | Riverside | RLP 12-271 | In Orbit (Clark Terry with Thelonious Monk) | 1958 | B1 |
5/7/58 & 5/12/58 | NYC | Argentia | Terry | Riverside | RLP 12-271 | In Orbit (Clark Terry with Thelonious Monk) | 1958 | B2 |
5/7/58 & 5/12/58 | NYC | Moonlight Fiesta | Tizol-Mills | Riverside | RLP 12-271 | In Orbit (Clark Terry with Thelonious Monk) | 1958 | B3 |
5/7/58 & 5/12/58 | NYC | Buck's Business | Terry | Riverside | RLP 12-271 | In Orbit (Clark Terry with Thelonious Monk) | 1958 | B4 |
5/7/58 & 5/12/58 | NYC | Very Near Blue | Cassey | Riverside | RLP 12-271 | In Orbit (Clark Terry with Thelonious Monk) | 1958 | B5 |
5/7/58 & 5/12/58 | NYC | Flugelin' the Blues | Terry | Riverside | RLP 12-294 | New Blue Horns (Various Artists) | 1959 | A1 |
8/7/58 | Five Spot Cafe NYC | Light Blue | Monk | Riverside | RLP 12-262 | Thelonious in Action | 1958 | A1 |
8/7/58 | Five Spot Cafe NYC | Coming on the Hudson | Monk | Riverside | RLP 12-262 | Thelonious in Action | 1958 | A2 |
8/7/58 | Five Spot Cafe NYC | Rhythm-a-ning | Monk | Riverside | RLP 12-262 | Thelonious in Action | 1958 | A3 |
8/7/58 | Five Spot Cafe NYC | Epistrophy (Theme) | Monk-Clarke | Riverside | RLP 12-262 | Thelonious in Action | 1958 | A4 |
8/7/58 | Five Spot Cafe NYC | Blue Monk | Monk | Riverside | RLP 12-262 | Thelonious in Action | 1958 | B1 |
8/7/58 | Five Spot Cafe NYC | Evidence | Monk | Riverside | RLP 12-262 | Thelonious in Action | 1958 | B2 |
8/7/58 | Five Spot Cafe NYC | Epistrophy (Theme) | Monk-Clarke | Riverside | RLP 12-262 | Thelonious in Action | 1958 | B3 |
8/7/58 | Five Spot Cafe NYC | Nutty | Monk | Riverside | RLP 12-279 | Misterioso | 1958 | A1 |
8/7/58 | Five Spot Cafe NYC | Five Spot Blues (as "Blues Five Spot") | Monk | Riverside | RLP 12-279 | Misterioso | 1958 | A2 |
8/7/58 | Five Spot Cafe NYC | Let's Cool One | Monk | Riverside | RLP 12-279 | Misterioso | 1958 | A3 |
8/7/58 | Five Spot Cafe NYC | In Walked Bud | Monk-Hendricks | Riverside | RLP 12-279 | Misterioso | 1958 | B1 |
8/7/58 | Five Spot Cafe NYC | Just a Gigolo | Brammer-Caesar-Casucci | Riverside | RLP 12-279 | Misterioso | 1958 | B2 |
8/7/58 | Five Spot Cafe NYC | Misterioso | Monk | Riverside | RLP 12-279 | Misterioso | 1958 | B3 |
2/28/59 | Town Hall NYC | Thelonious | Monk | Riverside | RLP 12-300 | The Thelonious Monk Orchestra at Town Hall | 1959 | A1 |
2/28/59 | Town Hall NYC | Friday the 13th | Monk | Riverside | RLP 12-300 | The Thelonious Monk Orchestra at Town Hall | 1959 | A2 |
2/28/59 | Town Hall NYC | Monk's Mood | Monk | Riverside | RLP 12-300 | The Thelonious Monk Orchestra at Town Hall | 1959 | A3 |
2/28/59 | Town Hall NYC | Little Rootie Tootie | Monk | Riverside | RLP 12-300 | The Thelonious Monk Orchestra at Town Hall | 1959 | B1 |
2/28/59 | Town Hall NYC | Off Minor | Monk | Riverside | RLP 12-300 | The Thelonious Monk Orchestra at Town Hall | 1959 | B2 |
2/28/59 | Town Hall NYC | Crepuscule with Nellie | Monk | Riverside | RLP 12-300 | The Thelonious Monk Orchestra at Town Hall | 1959 | B3 |
6/1/59 | NYC | Played Twice | Monk | Riverside | RLP 12-305 | 5 by Monk by 5 | 1959 | A3 |
6/2/59 | NYC | Straight, No Chaser | Monk | Riverside | RLP 12-305 | 5 by Monk by 5 | 1959 | A2 |
6/2/59 | NYC | I Mean You | Monk | Riverside | RLP 12-305 | 5 by Monk by 5 | 1959 | B1 |
6/2/59 | NYC | Ask Me Now | Monk | Riverside | RLP 12-305 | 5 by Monk by 5 | 1959 | B2 |
6/4/59 | NYC | Jackie-ing | Monk | Riverside | RLP 12-305 | 5 by Monk by 5 | 1959 | A1 |
10/20/59 | San Francisco, CA | Blue Monk | Monk | Riverside | RLP 12-312 | Alone in San Francisco | 1959 | A1 |
10/20/59 | San Francisco, CA | Ruby, My Dear | Monk | Riverside | RLP 12-312 | Alone in San Francisco | 1959 | A2 |
10/20/59 | San Francisco, CA | Round Lights | Monk | Riverside | RLP 12-312 | Alone in San Francisco | 1959 | A3 |
10/20/59 | San Francisco, CA | Everything Happens to Me | Dennis-Adair | Riverside | RLP 12-312 | Alone in San Francisco | 1959 | A4 |
10/20/59 | San Francisco, CA | Pannonica | Monk | Riverside | RLP 12-312 | Alone in San Francisco | 1959 | B2 |
10/20/59 | San Francisco, CA | There's Danger in Your Eyes, Cherie | Richman-Meskell-Wendling | Riverside | RLP 12-312 | Alone in San Francisco | 1959 | B4 |
10/21/59 | San Francisco, CA | You Took the Words Right Out Of My Heart | Robin-Rainger | Riverside | RLP 12-312 | Alone in San Francisco | 1959 | A5 |
10/21/59 | San Francisco, CA | Bluehawk | Monk | Riverside | RLP 12-312 | Alone in San Francisco | 1959 | B1 |
10/21/59 | San Francisco, CA | Remember | Berlin | Riverside | RLP 12-312 | Alone in San Francisco | 1959 | B3 |
10/21/59 | San Francisco, CA | Reflections | Monk | Riverside | RLP 12-312 | Alone in San Francisco | 1959 | B5 |
4/29/60 | The Blackhawk SF | Let's Call This | Monk | Riverside | RLP 12-323 | At the Blackhawk | 1960 | A1 |
4/29/60 | The Blackhawk SF | Four in One | Monk | Riverside | RLP 12-323 | At the Blackhawk | 1960 | A2 |
4/29/60 | The Blackhawk SF | I'm Getting Sentimental Over You | Washington-Bassman | Riverside | RLP 12-323 | At the Blackhawk | 1960 | A3 |
4/29/60 | The Blackhawk SF | San Francisco Holiday (Worry Later) | Monk | Riverside | RLP 12-323 | At the Blackhawk | 1960 | B1 |
4/29/60 | The Blackhawk SF | 'Round Midnight | Monk | Riverside | RLP 12-323 | At the Blackhawk | 1960 | B2 |
4/29/60 | The Blackhawk SF | Epistrophy (Closing Theme) | Monk-Clarke | Riverside | RLP 12-323 | At the Blackhawk | 1960 | B3 |
4/18/61 | L'Olympia, Paris | Well, You Needn't | Monk | Riverside | RM 491 | Monk in France | 1966? | A1 |
4/18/61 | L'Olympia, Paris | Off Minor | Monk | Riverside | RM 491 | Monk in France | 1966? | A2 |
4/18/61 | L'Olympia, Paris | Just a Gigolo | Brammer-Caesar-Casucci | Riverside | RM 491 | Monk in France | 1966? | A3 |
4/18/61 | L'Olympia, Paris | I Mean You | Monk | Riverside | RM 491 | Monk in France | 1966? | B1 |
4/18/61 | L'Olympia, Paris | Hackensack | Monk | Riverside | RM 491 | Monk in France | 1966? | B2 |
4/18/61 | L'Olympia, Paris | I'm Getting Sentimental Over You | Washington-Bassman | Riverside | RM 491 | Monk in France | 1966? | B3 |
4/21/61 | Milan, Italy | Jackie-ing | Monk | Riverside | RM 443 | Thelonious Monk in Italy | 1965? | A1 |
4/21/61 | Milan, Italy | Epistrophy | Monk-Clarke | Riverside | RM 443 | Thelonious Monk in Italy | 1965? | A2 |
4/21/61 | Milan, Italy | Body and Soul | Heyman-Sour-Eyton-Green | Riverside | RM 443 | Thelonious Monk in Italy | 1965? | A3 |
4/21/61 | Milan, Italy | Straight, No Chaser | Monk | Riverside | RM 443 | Thelonious Monk in Italy | 1965? | A4 |
4/21/61 | Milan, Italy | Bemsha Swing | Monk-Best | Riverside | RM 443 | Thelonious Monk in Italy | 1965? | B1 |
4/21/61 | Milan, Italy | San Francisco Holiday (Worry Later) | Monk | Riverside | RM 443 | Thelonious Monk in Italy | 1965? | B2 |
4/21/61 | Milan, Italy | Crepuscule with Nellie | Monk | Riverside | RM 443 | Thelonious Monk in Italy | 1965? | B3 |
4/21/61 | Milan, Italy | Rhythm-a-ning | Monk | Riverside | RM 443 | Thelonious Monk in Italy | 1965? | B4 |
10/31/62 | Columbia 30th St. Studio NYC | Bye-Ya | Monk | Columbia | CL 1965 | Monk's Dream | 1963 | B3 |
11/1/62 | Columbia 30th St. Studio NYC | Body and Soul | Heyman-Sour-Eyton-Green | Columbia | CL 1965 | Monk's Dream | 1963 | A2 |
11/1/62 | Columbia 30th St. Studio NYC | Bright Mississippi | Monk | Columbia | CL 1965 | Monk's Dream | 1963 | A3 |
11/1/62 | Columbia 30th St. Studio NYC | Ba-lue Bolivar Ba-lues-are (as "Bolivar Blues") | Monk | Columbia | CL 1965 | Monk's Dream | 1963 | B1 |
11/2/62 | Columbia 30th St. Studio NYC | Monk's Dream | Monk | Columbia | CL 1965 | Monk's Dream | 1963 | A1 |
11/2/62 | Columbia 30th St. Studio NYC | Just a Gigolo | Brammer-Caesar-Casucci | Columbia | CL 1965 | Monk's Dream | 1963 | B2 |
11/6/62 | Columbia 30th St. Studio NYC | Five Spot Blues | Monk | Columbia | CL 1965 | Monk's Dream | 1963 | A4 |
11/6/62 | Columbia 30th St. Studio NYC | Sweet and Lovely | Arnheim-LeMare-Tobias | Columbia | CL 1965 | Monk's Dream | 1963 | B4 |
11/6/62 | Columbia Studios NYC | Hackensack | Monk | Columbia | CL 2038 | Criss Cross | 1963 | A1 |
11/6/62 | Columbia Studios NYC | Rhythm-a-ning | Monk | Columbia | CL 2038 | Criss Cross | 1963 | B1 |
2/26/63 | Columbia Studios NYC | Tea for Two | Youmans-Caesar | Columbia | CL 2038 | Criss Cross | 1963 | A2 |
2/26/63 | Columbia Studios NYC | Criss Cross | Monk | Columbia | CL 2038 | Criss Cross | 1963 | A3 |
2/27/63 | Columbia Studios NYC | Eronel | Monk | Columbia | CL 2038 | Criss Cross | 1963 | A4 |
2/27/63 | Columbia Studios NYC | Don't Blame Me | McHugh-Fields | Columbia | CL 2038 | Criss Cross | 1963 | B2 |
2/28/63 | Columbia Studios NYC | Think of One | Monk | Columbia | CL 2038 | Criss Cross | 1963 | B3 |
3/29/63 | Columbia Studios NYC | Crepuscule with Nellie | Monk | Columbia | CL 2038 | Criss Cross | 1963 | B4 |
5/21/63 | Sankei Hall Tokyo | Evidence | Monk | Columbia | CL 2416 | Misterioso (Recorded on Tour) | 1966 | B4 |
7/4/63 | Newport Jazz Festival | Nutty | Monk | Columbia | CL 2178 | Miles & Monk at Newport | 1964 | B1 |
7/4/63 | Newport Jazz Festival | Blue Monk | Monk | Columbia | CL 2178 | Miles & Monk at Newport | 1964 | B2 |
7/4/63 | Newport Jazz Festival | Light Blue | Monk | Columbia | CL 2416 | Misterioso (Recorded on Tour) | 1966 | A3 |
12/30/63 | Lincoln Center NYC | I Mean You | Monk | Columbia | CL 2164 | Big Band and Quartet in Concert | 1964 | A1 |
12/30/63 | Lincoln Center NYC | Evidence | Monk | Columbia | CL 2164 | Big Band and Quartet in Concert | 1964 | A2 |
12/30/63 | Lincoln Center NYC | (When It's) Darkness on the Delta | Neiburg-Livingston-Symes | Columbia | CL 2164 | Big Band and Quartet in Concert | 1964 | A3 |
12/30/63 | Lincoln Center NYC | Oska T | Monk | Columbia | CL 2164 | Big Band and Quartet in Concert | 1964 | B1 |
12/30/63 | Lincoln Center NYC | Played Twice | Monk | Columbia | CL 2164 | Big Band and Quartet in Concert | 1964 | B2 |
12/30/63 | Lincoln Center NYC | Four in One | Monk | Columbia | CL 2164 | Big Band and Quartet in Concert | 1964 | B3 |
12/30/63 | Lincoln Center NYC | Epistrophy (Theme) | Monk-Clarke | Columbia | CL 2164 | Big Band and Quartet in Concert | 1964 | B4 |
12/30/63 | Lincoln Center NYC | Misterioso | Monk | Columbia | CL 2416 | Misterioso (Recorded on Tour) | 1966 | A2 |
1/29/64 | Columbia Studios NYC | Nice Work If You Can Get It | Gershwin-Gershwin | Columbia | CL 2184 | It's Monk's Time | 1964 | B2 |
1/30/64 | Columbia Studios NYC | Stuffy Turkey | Monk | Columbia | CL 2184 | It's Monk's Time | 1964 | A3 |
2/10/64 | Columbia Studios NYC | Lulu's Back in Town | Warren-Dubin | Columbia | CL 2184 | It's Monk's Time | 1964 | A1 |
2/10/64 | Columbia Studios NYC | Brake's Sake | Monk | Columbia | CL 2184 | It's Monk's Time | 1964 | B1 |
3/9/64 | Columbia Studios NYC | Memories of You | Blake-Razaf | Columbia | CL 2184 | It's Monk's Time | 1964 | A2 |
3/9/64 | Columbia Studios NYC | Shuffle Boil | Monk | Columbia | CL 2184 | It's Monk's Time | 1964 | B3 |
3/9/64 | Columbia Studios NYC | Teo | Monk | Columbia | CL 2291 | Monk | 1964 | B3 |
10/6/64 | Columbia Studios NYC | Liza (All the Clouds'll Roll Away) | Gershwin-Gershwin-Kahn | Columbia | CL 2291 | Monk | 1964 | A1 |
10/6/64 | Columbia Studios NYC | I Love You (Sweetheart of All My Dreams) | Berlin | Columbia | CL 2291 | Monk | 1964 | A4 |
10/7/64 | Columbia Studios NYC | That Old Man | Traditional | Columbia | CL 2291 | Monk | 1964 | A3 |
10/8/64 | Columbia Studios NYC | April in Paris | Duke-Harburg | Columbia | CL 2291 | Monk | 1964 | A2 |
10/8/64 | Columbia Studios NYC | Just You, Just Me | Greer-Klages | Columbia | CL 2291 | Monk | 1964 | B1 |
10/8/64 | Columbia Studios NYC | Pannonica | Monk | Columbia | CL 2291 | Monk | 1964 | B2 |
10/31/64 | Los Angeles, CA | I Surrender, Dear | Clifford-Barris | Columbia | CL 2349 | Solo Monk | 1965 | A2 |
10/31/64 | Los Angeles, CA | Sweet and Lovely | Arnheim-LeMare-Tobias | Columbia | CL 2349 | Solo Monk | 1965 | A3 |
10/31/64 | Los Angeles, CA | North of the Sunset | Monk | Columbia | CL 2349 | Solo Monk | 1965 | A4 |
10/31/64 | Los Angeles, CA | Everything Happens to Me | Dennis-Adair | Columbia | CL 2349 | Solo Monk | 1965 | B2 |
10/31/64 | Los Angeles, CA | I Should Care | Cahn-Stordahl-Weston | Columbia | CL 2349 | Solo Monk | 1965 | B4 |
11/1/64 | The It Club LA | I'm Getting Sentimental Over You | Washington-Bassman | Columbia | CL 2416 | Misterioso (Recorded on Tour) | 1966 | A4 |
11/1/64 | The It Club LA | All the Things You Are | Kern-Hammerstein | Columbia | CL 2416 | Misterioso (Recorded on Tour) | 1966 | B1 |
11/2/64 | Los Angeles, CA | Dinah | Akst-Lewis-Young | Columbia | CL 2349 | Solo Monk | 1965 | A1 |
11/2/64 | Los Angeles, CA | I'm Confessin' | Daugherty-Neiburg-Reynolds | Columbia | CL 2349 | Solo Monk | 1965 | A6 |
11/2/64 | Los Angeles, CA | I Hadn't Anyone Till You | Noble | Columbia | CL 2349 | Solo Monk | 1965 | B1 |
11/2/64 | Los Angeles, CA | Monk's Point | Monk | Columbia | CL 2349 | Solo Monk | 1965 | B3 |
11/2/64 | Los Angeles, CA | These Foolish Things | Link-Marvell-Strachey | Columbia | CL 2349 | Solo Monk | 1965 | B6 |
11/4/64 | Jazz Workshop SF | Bemsha Swing | Monk-Best | Columbia | CL 2416 | Misterioso (Recorded on Tour) | 1966 | B3 |
2/23/65 | Columbia Studios NYC | Ask Me Now | Monk | Columbia | CL 2349 | Solo Monk | 1965 | B5 |
2/27/65 | Brandeis University, MA | Well, You Needn't | Monk | Columbia | CL 2416 | Misterioso (Recorded on Tour) | 1966 | A1 |
3/2/65 | Columbia Studios NYC | Ruby, My Dear | Monk | Columbia | CL 2349 | Solo Monk | 1965 | A5 |
11/14/66 | Columbia 30th St. Studio NYC | I Didn't Know About You | Ellington | Columbia | CL 2651 | Straight, No Chaser | 1967 | A2 |
11/15/66 | Columbia 30th St. Studio NYC | Locomotive | Monk | Columbia | CL 2651 | Straight, No Chaser | 1967 | A1 |
1/10/67 | Columbia 30th St. Studio NYC | Straight, No Chaser | Monk | Columbia | CL 2651 | Straight, No Chaser | 1967 | A3 |
1/10/67 | Columbia 30th St. Studio NYC | Japanese Folk Song (Koujou No Tsuki) | Traditional | Columbia | CL 2651 | Straight, No Chaser | 1967 | B1 |
1/10/67 | Columbia 30th St. Studio NYC | Between the Devil and the Deep Blue Sea | Arlen-Koehler | Columbia | CL 2651 | Straight, No Chaser | 1967 | B2 |
1/10/67 | Columbia 30th St. Studio NYC | We See | Monk | Columbia | CL 2651 | Straight, No Chaser | 1967 | B3 |
12/14/67 | Columbia Studios NYC | Ugly Beauty | Monk | Columbia | CS 9632 | Underground | 1968 | A2 |
12/14/67 | Columbia Studios NYC | Green Chimneys | Monk | Columbia | CS 9632 | Underground | 1968 | B2 |
12/21/67 | Columbia Studios NYC | Boo Boo's Birthday | Monk | Columbia | CS 9632 | Underground | 1968 | A4 |
2/14/68 | Columbia Studios NYC | Thelonious | Monk | Columbia | CS 9632 | Underground | 1968 | A1 |
2/14/68 | Columbia Studios NYC | Raise Four | Monk | Columbia | CS 9632 | Underground | 1968 | A3 |
2/14/68 | Columbia Studios NYC | Easy Street | Jones | Columbia | CS 9632 | Underground | 1968 | B1 |
2/14/68 | Columbia Studios NYC | In Walked Bud | Monk-Hendricks | Columbia | CS 9632 | Underground | 1968 | B3 |
11/19/68 | Hollywood, CA | Let's Cool One | Monk | Columbia | CS 9806 | Monk's Blues | 1969 | A1 |
11/19/68 | Hollywood, CA | Reflections | Monk | Columbia | CS 9806 | Monk's Blues | 1969 | A2 |
11/19/68 | Hollywood, CA | Little Rootie Tootie | Monk | Columbia | CS 9806 | Monk's Blues | 1969 | A3 |
11/19/68 | Hollywood, CA | Monk's Point | Monk | Columbia | CS 9806 | Monk's Blues | 1969 | B2 |
11/19/68 | Hollywood, CA | Straight, No Chaser | Monk | Columbia | CS 9806 | Monk's Blues | 1969 | B4 |
11/20/68 | Hollywood, CA | Just a Glance at Love | Macero | Columbia | CS 9806 | Monk's Blues | 1969 | A4 |
11/20/68 | Hollywood, CA | Brilliant Corners | Monk | Columbia | CS 9806 | Monk's Blues | 1969 | A5 |
11/20/68 | Hollywood, CA | Consecutive Seconds | Macero | Columbia | CS 9806 | Monk's Blues | 1969 | B1 |
11/20/68 | Hollywood, CA | Trinkle, Tinkle | Monk | Columbia | CS 9806 | Monk's Blues | 1969 | B3 |
? | The Village Gate NYC | Honeysuckle Rose | Waller-Razaf | Columbia | CL 2416 | Misterioso (Recorded on Tour) | 1966 | B2 |